You know what’s my pet peeve? Scholars who cite fragmentary sources by their fragment numbers only.
Monthly Archives: November 2013
There is something so disarming, so human, about reading that the ancient Greeks and Romans kept dogs as pets – not just as hunting hounds, but also as tiny companions. The Melitan, while it is not the only kind of miniature dog mentioned in surviving texts (a “Gallic miniature dog” was named once in Martial’s epigrams), it is by far the most the most prolific miniature dog in artistic depictions and literary sources.
My dearest subscribers,
Fished Up Classics will soon be known under a new name, Found in Antiquity.
It was a difficult decision to make, but I believe the long term gain will be worth today’s hassle. It feels scary, in a way, like I might be starting all over again. Has it only really been 4 months since I began this blog?
But I do feel much better about this new name. It makes more sense to me at first glance. If I mention the name to strangers or lecturers, I don’t have to hold my breath and hope they understand that it doesn’t have anything to do with fishing or eating fish or hooking things on fishhooks. It sounds silly, since most people who heard the name didn’t think of that. But I really did get sick of having “Fished Up” at the start of the title.
I’ve also taken this opportunity to buy the domain name, “foundinantiquity.com”.
Within the next few days or so I will also purchase a 301 redirect service, which will smooth this transition phase considerably.
Hold tight, update your bookmarks, and I’ll see you soon with another post – a post about Melitan or “Maltese” miniature dogs in antiquity!
How on earth could the Can-can dance have anything to do with the myth of Orpheus?
I’m sure you’ve heard and seen the Can-can before, but just in case you’ve been living under a rock for the last 150 years, here’s a demonstration:
The Can-can was a type of bawdy Parisian dance popular in the nineteenth century, and it could be performed to a variety of musical settings. Now this is where the classical connection comes in. The most famous tune for the Can-can, the one shown above, was written in 1858 by Jacques Offenbach for his operetta Orpheus in the Underworld. The dance was originally titled the Infernal Galop and was first performed (with the famous tune) by actors pretending to be the Olympian gods and Orpheus’ beloved Eurydice.